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The producers and directors behind The X Factor, Big Brother, and Strictly Come Dancing. Now making original content for the world's most ambitious brands.
Everything starts with an original concept. Short form or long form, we build formats around your brief and deliver them end to end.
Series development and production for the UK's leading networks and global platforms. Specialists in Advertiser Funded Programming.
Live events, multi-camera productions, product launches, internal communications and more. All made to broadcast standard.
We build the full campaign around your content. Hero film, social cutdowns, platform formats and paid strategy — all made together, from the same shoot.
A three-part observational documentary series following Britain's most trusted tradespeople. Broadcast quality, brand funded.
An intimate five-part series capturing real coaching journeys inside one of the world's leading coaching organisations.
Full post-production on a six-part branded series for Marlow Media and Sunday Riley, the acclaimed skincare brand.
You become the commissioner. We identify your challenge, build an original format around it, and deliver it with everything it needs to work. Short form or long form. 90 seconds or 90 minutes. Everything starts with an original concept and goes all the way to The End.




















This is a selection of what we do — not the half of it. Over 700 films produced, directed and delivered. What you'll find here is a taste: some of the series, spots, showreels and one-offs that show how we think and what we make.
More coming soon. Got a brief? Let's talk.
Over 700 branded content films produced, directed and delivered by The End TV. Everything cut for every social platform.
A sample of what we've made below.
Three scripted films developed with the ABF leadership team, produced, directed and delivered by The End TV. Cast with actors alongside real employees and shot on location at the company’s head office to create a series of internal films for ABF staff.
Full films available on request — get in touch
Every animation we make is built from scratch — scripted, storyboarded, designed and delivered to match your brand's world exactly. No templates, no stock styles. The look, feel and voice are always yours.
Got an animation brief? Tell us the style, the story and the platform. We'll do the rest.
All drone showreel shot in 4K.
Everything starts with an original concept and goes all the way to The End. Short form or long form. 90 seconds or 90 minutes. We build formats around your brief and deliver them completely.
You become the commissioner. We become your production team.
Whatever you need to say, we find the format that says it best — and deliver it completely.
We identify your challenge, understand your audience, and build an original format around your brief. Whether you need brand recognition, a shift in perception, or a new audience entirely, we come up with the concept and create the content that delivers it.
We are not a production company that takes a script and shoots it. We originate. Every project starts with us understanding your pain point and working out the most compelling format to solve it. Then we bring in the best directors and producers for that specific world, whether it is food, tech, cars, sport or anything else.
The result is content that feels made for an audience, not made for a brand. That is the difference.
We originate ideas. We do not adapt templates. Every format we create is built from scratch around your brief, your audience and your objectives. From a 90-second brand film to a six-part documentary series, the process is the same: find the concept that works, then make it brilliantly.
We develop and produce series for UK broadcasters and global streaming platforms. Our team spent decades making the UK's biggest entertainment formats. That experience means we know what works on screen, what gets commissioned, and how to deliver it.
We specialise in Advertiser Funded Programming, bringing brands and broadcasters together around content that works for both.
Live events, product launches, multi-camera studio productions, internal communications, education and training. All of it made to the same broadcast standard as everything else we do. There is no such thing as a low-priority brief here.
When we make your hero content, we also build everything around it. Every film, series or brand production can generate dozens more assets — platform edits, social cutdowns, format variations — all planned and filmed at the same time, from the same shoot. The campaign is built in from day one, not added on at the end.
A full-service online post-production facility run by the same team behind some of the UK's biggest television productions. Professional, cloud-based, and built to work wherever your production takes you.
The End Post is entirely online. No expensive buildings, no fixed overheads, no geographic limitations. We pass those savings directly to you without ever compromising on the quality of the work.
What you get is the editorial rigour and expertise that shaped some of the most-watched programmes on British television, available to any production, anywhere in the world.
Every package is built around your project. The workflow, the team, the timeline, the schedule. All of it designed to fit what you are making, not the other way round.
Our facility runs on professional cloud infrastructure with no limits on the number of users working simultaneously and no ceiling on the volume of media. One editor in London or a team across multiple countries. The workflow is identical.
Before a frame is shot, we plan the entire post pipeline with your team. Cameras, codecs, on-location data management, aspect ratios for every platform from broadcast to social. We agree the shape of the post schedule at this stage too. Continuous post-production, batched delivery, or something in between. The workflow is yours. We can provide data wranglers on location or advise your team so they can manage it themselves.
Once filming wraps, your media comes to us physically or digitally, by shooting day or all at once. We transcode it, organise it and store it in four places: cloud edit copy, cloud backup, physical backup and your own retained copy. Your media is always safe and always accounted for.
We can also provide a dedicated production assistant to work on your project at the start, throughout, or at specific stages depending on the scale of what you are making.
We work with a roster of some of the best editors in the country. Whatever the genre, whatever the format, we find you the right person for the job. Documentary, entertainment, branded content, sport. Editors who work across all major platforms and bring genuine craft to the cut. Your own team can work directly on the system too. Either way, the infrastructure is the same.
Your project is ready to edit from anywhere in the world. The facility runs continuously, 24 hours a day, seven days a week, so production never has to stop. You can have one editor or many working simultaneously. All they need is a laptop and an internet connection.
Cuts are shared via a secure online portal where everyone gives frame-accurate notes directly on the edit. No emailing files. No version confusion. Everyone sees the same cut, leaves notes in the same place, and approvals happen cleanly and efficiently.
Once the edit is locked we handle the full finishing pipeline. Colour grade, sound design and mix, titles, graphics and versioning. All masters are quality-controlled before delivery. We deliver to broadcast specifications or online platform requirements, subtitle and reformat content for every format and territory, and produce trailers, clips and social cutdowns as part of the service.
When Marlow Media commissioned a six-part branded series for Sunday Riley, they brought The End Post in to handle the complete post-production. Working remotely with the production team, we managed the full pipeline from ingest through to grade, mix and final delivery.
Editors and producers collaborated in real time across different locations, with the client reviewing and approving cuts remotely throughout. A seamless broadcast-quality series delivered entirely online.
Whether you are a production company looking for a reliable post partner, or a brand wanting one supplier for everything, we would love to talk through what The End Post can do for your project.
The producers and directors behind some of the biggest entertainment formats ever made in the UK — now working for the world's most ambitious brands.
The End TV was founded by the producers and directors behind some of the biggest entertainment formats on television — from The X Factor and Big Brother to Saturday Night Takeaway, Celebs Go Dating and Dancing on Ice.
We bring that same storytelling craft to branded content. We originate the idea, build the format around your brief, and deliver everything — series, social, trailers, edits — from one team, start to finish.
"Whatever we make, the goal is always the same. We want audiences to feel something. When the right content finds the right people, something genuinely changes."James — Founder, The End TV
25+ years producing some of the UK’s most-watched entertainment. The X Factor, Big Brother, Celebs Go Dating, The Masked Dancer. Brand work for Coca-Cola, Checkatrade, Carling, Just Eat and Lidl.
When he is not running The End, you will find him running the streets of London and regaling anyone within earshot with his marathon PBs.
Keeps every project on track, on budget and beyond expectations. An instinct for both the creative and the commercial, with a talent for making the most ambitious briefs actually happen.
Off the clock, Danielle is working her way through the tennis rankings with one very clear goal: Wimbledon. Do not laugh — she is serious.
Director of Big Brother, Fame Academy and Love Island. Brand work for John Lewis, American Express, Microsoft and Samsung. Passionate about technology and visually ambitious filmmaking.
When he is not behind the camera, he is behind the barbecue, convinced his award-winning salmon deserves its own Netflix series.
Two decades in post-production on the UK’s biggest entertainment shows — The Masked Singer, The X Factor, Britain’s Got Talent. Bringing AI into the post pipeline in ways that are changing what’s possible.
When he is not buried in a timeline, Chris can be found unboxing the very latest gadget and carefully explaining to his wife exactly why he needed it.
Producer of Married at First Sight, The Voice, Next Level Chef, The X Factor and Last One Laughing. Brand work spanning talent management and high-end production. A powerhouse of creativity, ideas and getting things done.
When she is not generating a thousand ideas before breakfast, she is looking after her daughter Sofia, her greatest production to date.
Ten years working with brands across production and creative. A lynchpin of organisation and a genuine creative force, building lasting client relationships and keeping even the most ambitious projects on track.
Outside the office, Katie is a dedicated baker quietly convinced she has been the uncredited inspiration behind many of Bake Off’s biggest successes. No one has confirmed this. No one has denied it either.
For every project, we draw on the best producers, directors and editors from around the world — specialists in their field, whether that's food, automotive, fashion, sport or tech. Everyone we bring in has credits you'll recognise.
The result is a team built specifically for your brief. The best talent in the world, for every project.
Whether you have a clear brief or just the beginning of an idea, we'd love to hear from you. The only requirement is ambition.
We read every message and try to get back to everyone as soon as we can. In the meantime, take a look at some of our work.
Last revised: April 2024
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